Vito Acconci's Most Controversial Work: Basement Hammer Performance

Vito Acconci's Most Controversial Work: Basement Hammer Performance

The Art of Vito Acconci - The New York Times

May 1, 2017 · his most famous piece, seedbed (1972), involved him masturbating beneath a wooden ramp installed at new york’s sonnabend gallery while amplifying his fantasies about. The vietnam war was probably the most important thing, but did i ever make a piece particularly about vietnam? I didn’t think i had to. Why was i biting myself? His performance and video work was marked heavily by confrontation and situationism.

But it is also disturbing and politically provocative. The catalogue essay and. In most of them the artist tries to implicate the viewers in the performance through his words; Apr 28, 2017 · an image from mr. Acconci’s most infamous piece, “seedbed,” from 1972. Vito acconci was a father of performance and video art. Apr 28, 2017 · far and away his most famous work, acconci lay beneath the angled, raised ramp in illeana sonnabend’s new york gallery, masturbating while staring up through the. May 31, 2017 · critics also cited acconci’s willingness to violate limits of acceptability, often offending or disgusting the public. His performances did both. Women, and his own body, were.

Vito Acconci | Artists | USF Graphicstudio | Institute for Research in Art

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The Jewish Museum remembers pioneering performance artist Vito Acconci

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